"This is the big public arena of poetry (actually quite small) and its message is that poetry is one happy thriving world. Art and commerce are united in this paradigm: what is most popular (within certain limits of respectability and caste) is clearly the highest quality, and what is rejected is what doesn’t sell because it’s weird and ‘nobody wants it’.
It is outwardly a very simple structure. In fact, of course, the popularity is largely created by the publicity, so that the value of the guidance offered is questionable, and when you look at the poetry elevated by these routines it turns out to be extremely varied in both nature and quality."
from Poetry beyond the cults and enclaves in the Fortnightly Review